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This volume challenges readers to think about what
music means in contemporary society, and how music education can remain
culturally relevant in the new millennium.
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A
collection of thought-provoking philosophical perspectives on music
education.
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Explores
the changing ways in which music is being produced, disseminated and
received.
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Considers
how current phenomena such as the commoditization of music, the use of
new technologies, and access to hybrid music forms, relate to music
education.
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Covers
themes such as pragmatism, performativity, cultural identity, emotion,
autonomy and globalization.
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Asks
how music teaching and learning can remain culturally relevant.
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